「木彫りの人形」のようになり、最終的に「弓(ゆみ)」という名前と道具そのものを忘れてしまった

Nine years later, returning to the city of Handan from the mountains, Kisho's face had lost its former sharp glare, looking vacant like a 'wooden doll.' He no longer drew bows, and in the end, completely forgot even the word 'bow' and the name of the tool. The grand yet humorous ending—that the beauty of the ultimate master lies within 'Wu Wei' (non-action) having cast away all artificial intent—is a masterpiece showing the peak of Atsushi Nakajima's thought.